The first study in English to offer a systematic introduction to the Chinese pantheon of divinities. It challenges received wisdom about Chinese popular religion, which, until now, presented all Chinese deities as mere functionaries and bureaucrats. The essays in this volume eloquently document the existence of other metaphors that allowed Chinese gods to challenge the traditio...(展开全部)

The first study in English to offer a systematic introduction to the Chinese pantheon of divinities. It challenges received wisdom about Chinese popular religion, which, until now, presented all Chinese deities as mere functionaries and bureaucrats. The essays in this volume eloquently document the existence of other metaphors that allowed Chinese gods to challenge the traditio...(展开全部)

本书作者把研究对象确定在中国古代社会中的法律，以期对中国历史上的法律提供一种社会学的解释。在兼跨社会学、历史学、法律这三个学科领域之间，开创了法律史与社会史结合的研究范式，形成了一种新的学术研究体系，被称为“法律社会史”。本书是这一领域的经典著作，初版至今已60余年，并有作者自己的英文译本传世，在西方汉学界广有影响。

本书作者把研究对象确定在中国古代社会中的法律，以期对中国历史上的法律提供一种社会学的解释。在兼跨社会学、历史学、法律这三个学科领域之间，开创了法律史与社会史结合的研究范式，形成了一种新的学术研究体系，被称为“法律社会史”。本书是这一领域的经典著作，初版至今已60余年，并有作者自己的英文译本传世，在西方汉学界广有影响。

[加]卜正民（Timothy Brook） 当代最著名的汉学家之一。多伦多大学文学士，哈佛大学文学硕士、哲学博士。历任多伦多大学、斯坦福大学等校教授，英国牛津大学邵氏汉学教授，现为加拿大英属哥伦比亚大学圣约翰学院历史系教授。卜正民学术视野广阔，主要从事亚洲历史和文化的研究，研究领域涉及明代社会和文化史、二战时期日本在中国的占领、当代人权问题等。编撰著作（含合著合编）数种，主要有：《纵乐的困惑：明代的商业与文化》《为权力祈祷：佛教与晚明中国士绅社会的形成》《中国与历史资本主义：汉学知识的系谱学》《民族的构建：亚洲精英及其民族身份》《明代的社会与国家》《维梅尔的帽子：从一幅画看全球化贸易的兴起》《鸦片政权：中国、英国和日本，1839—1952年》《通敌：战时中国的日本代领与地方精英》《明清历史的地理动因》《亚细亚生产方式在中国》《杀千刀：中西视野下的凌迟...(展开全部)

The concept of "civil society" was borrowed from eighteenth-century Europe to provide a framework for understanding the transition to post-authoritarian regimes in Latin America and postcommunist regimes elsewhere. In China, the Democracy Movement forced the concept onto the intellectual agenda during the struggle to come to terms with the growth of dissent and the failure of s...(展开全部)

Society and the Supernatural in Song China is at once a meticulous examination of spirit-possession and exorcism in the twelfth and thirteenth centuries and a social history of the full panoply of China's religious practices and practitioners at the moment when she was poised to dominate the world economy. Although the Song dynasty (960-1276) is often identified with the establ...(展开全部)

Popular operas in late imperial China were a major part of daily entertainment, and were also important for transmitting knowledge of Chinese culture and values. In the twentieth century, however, Chinese operas went through significant changes. During the first four decades of the 1900s, led by Xin Wutai (New Stage) of Shanghai and Yisushe of Xi’an, theaters all over China exp...(展开全部)